Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
27.10 Friday
Culturgest
14.00
CI/IC/162’
CI/IC/162’
16.15
CHY/84’
CHY/84’
17.00
AP/PA
AP/PA
17.45
CP/PC/57’
CP/PC/57’
19.00
TL/EM/75’
TL/EM/75’
19.45
CHY/105’
CHY/105’
21.30
R/NV/89′
R/NV/89′
22.00
CHY/96’
CHY/96’
São Jorge
11.00
VA/GY/65′
VA/GY/65′
14.00
CI/IC/95’
CI/IC/95’
16.15
VA/GY/74’
VA/GY/74’
Norley and Norlen [Norley y Norlen], Flávio Ferreira, Cuba, Portugal, Spain, 8', 2017
Lemons, Srinivas Reddy Sanikommu, Portugal, 12', 2017
Ex-Venus in Furs, João Martinho, Portugal, 17', 2017
Quando o Dia acaba [At the end of the Day], Pedro Gonçalves, Portugal, 15', 2017
Terreno, André Picardo, Portugal, 22', 2017
Lemons, Srinivas Reddy Sanikommu, Portugal, 12', 2017
Ex-Venus in Furs, João Martinho, Portugal, 17', 2017
Quando o Dia acaba [At the end of the Day], Pedro Gonçalves, Portugal, 15', 2017
Terreno, André Picardo, Portugal, 22', 2017
16.30
CI/IC/128’
CI/IC/128’
19.30
CI/IC/225’
CI/IC/225’
Cinemateca Portuguesa — Museu do Cinema
15.30
QBQ/95’
QBQ/95’
18.30
QBQ/111’
QBQ/111’
19.00
QBQ/91’
QBQ/91’
Cinema Ideal
Bar a Barraca
23.30
F/P
F/P