A fur coat resting on a chair in the middle of a palatial room. To whom does it belong? Larissa, rock ‘n’ roll’s Coco Chanel, the face of Studio 54 and American haute couture in the 1970s and 80s, an eternal diva.
Screened with: Norley and Norlen | Lemons | Quando o Dia acaba | Terreno
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.