The great march to retake the sacred territories belonging to the Guarani Kaiowá, since the birth of the movement in the 1980s: the peaceful and persistent insurgency of the destitute before the mighty apparatus of the agribusiness.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.