Milla, 17, and Leo, not much more, run away to a small town by the English Channel. A love to live, a life to invent and hold on to, at all costs, no matter what.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.