About a 100km away from Kabul, Salim Shaheen, the most popular and prolific actor-director-producer in Afghanistan, who has been making Z movies for more than 30 years in a country at war, comes to show some of his 110 films and to shoot the 111th in the process.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
