Inspired by the Dolomites mountain range in Northeast Italy, a battle theatre in World Wars I and II, Gianikian and Ricci Lucchicontinue to explore issues of war and peace. The film uses shots of ordinary toys found in the area, many missing limbs and other pieces, to represent, in both direct and oblique ways, the historical period between Fascism, Nazism, and the post-war era.
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