An influential film placing us at the centre of the Mohawk people’s struggle in the face of the brutality of the Canadian police and army, and showing how the historical relations between coloniser and colonised are key to understand the present.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
