“The film was originally based on my life in the dorms. We decided to show destruction in every sense of the word, not just things and relationships but the entire film image. It was our defense against that destruction happening around us.” Věra Chytilová
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.