This last collaboration between Chytilová and Ester Krumbachová (screenwriter of Daisies and Fruit of Paradise) ties up all the thematic strands of her previous work. “We’re having fun on the account of men’s dissimulation, cowardice, and snobbery.” (Vera Chytilová)
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.