For these three friends life is one never-ending thrill-ride. From party to party, they win over girls by the dozen, until they find out one of them is HIV-positive. The first AIDS-themed movie made in the Eastern Bloc, Tainted Horseplay continues Chytilová’s “womanizing” cycle.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
