Richesse des autres is one of Quebec’s great political films from the 1970s. Between Quebec and Chile, mine workers fight for recognition and dignity. Normetal is one of the cities struggling, and Groulx had filmed it in 1959, both underground and on the surface.
Screened with: Richesse des autres
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.