The story of a life-changing “brief encounter” in 1958, between a French member of the first delegation from Western Europe to be officially invited to North Korea after the devastating Korean War, and a nurse at the Korean Red Cross Hospital in Pyongyang.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.