Chytilová connects Mozart’s legacy to the Prague’s contemporary architecture in this mischievous comedy. The role of Mozart is played by Milan Šteindler from Tainted Horseplay, Constance is the director’s daughter, and Casanova himself makes an appearance.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.