In a room packed with objects of all sorts, a man passes the time painting a remake of Picasso’s Guernica, giving books away and taking care of his dog Bakunin. In a final attempt to reach his audience, he comes up with a plan: the destruction of Art.
Screened with: Jacarépaguá | Nightcrawlers | Púrpura
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.