French filmmaker Alain Cavalier visits a suburban house in Rio de Janeiro in the 1980s and wonders about what cinema has to gain with the arrival of portable cameras.
Screened with: Nightcrawlers | Púrpura | John 746
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.