A historical review of the military dictatorship in Brazil only trough images and sounds from films that belong to the pornochanchada genre, a kind of erotic film that was the most seen and most produced during that period.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
