Expelled from the Garden of Eden, Adam and Eve meet a murderer of women. Chytilová had completed the film while the Soviet troops stomped out the Prague Spring. “A parable to the Paradise we were driven out of by the knowledge of Truth.” (Vera Chytilová)
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.