“All hail to Kim Jong-il!” a South Korean punk-metal band, Bamseom Pirates, shouts without a modicum of hesitation. The film is about two young Korean musicians who issue a challenge to the establishment and the authorities, and their unyielding passion for music.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
