Doclisboa seeks to imagine reality through new cinematic forms of perception, reflection and action, placing filmmaking into dialogue with its history to question the present of cinema. Doclisboa is interested in films that are rigorous about their conceptual and formal implications; films that experiment with cinema’s artistic and political possibilities and refuse to be categorized; films that engage with and mirror the complexity of the world. Doclisboa offers a ground where cinema and the contemporary are investigated as acts of being together in, and with, time.

Green Years

Recorded Dreams #1

Jonathan Ospina

2019 • Switerzland, Colombia • 13’

Essay film on the memory of dreams and how one recalls affections, investigating the politics of representation and observation in times of an ever-growing production of images and the sense of listening practices. An onomatopoetic trip in Italy and dream-storytelling.

Screened with

Simona Viackute

Everything Near Becomes Distant

Francisco Bouzas

My American father

Justine Abitbol

25-10-2019
16:00 • VA/GY • 87’

Cinema São Jorge

Sala Manoel de Oliveira

Green Years

A Family Tale

A Tiny Country

Absinth

And We’ll Be Happy Again

Asphalt Flowers

Beach House

Chaos

Color Test: The Red Flag

Everything Near Becomes Distant

Flat Desires

Frozen in Time

Há Margem

I Stayed in Berlin All Summer

Labyrinth

Layover

Linger on Some Pale Blue Dot

My American father

Northern Malady

Notes From the Neighbourhood

Rescue the Fire

Rio Torto

Simulacrum

Subjectitude

The Good Breast and the Bad Breast

The Rex Will Sail In

The War of Cents

They Don’t Represent Us

Thirty

To Francisco

What We Were

When Your First Son Gets Up to No Good

Yesterday My Friend Bought a Bike