Two Times
Two young directors bluntly film young people up close in patient shootings, letting them talk, using their own words, attitudes and gestures to convey two periods: on the one hand, the Parisian suburb in the 1960s, the shantytowns, affordable housing towers, gangsters from Nanterres and bars; on the other hand, post‐Charlie rebel youths who don’t sleep and gather every night in Paris to talk, drink, dream, dance, fight and make up a new world.
