Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
Gestures and Landscapes

The landscape manifests itself on several relations between man and nature, from the immersion amidst the landscape and the unconscious to the communal building of the beluga fishing tradition, and the encounter between places and its inhabitants’ memories.

Beluga Days

Le beau plaisir

Pierre Perrault, Bernard Gosselin, Michel Brault
1968 • Canada • 15’

The Theory of Everything

La théorie du tout

Céline Baril
2009 • Canada • 78’


Le paysagiste

Jacques Drouin
1976 • Canada • 8’

Casa do Cinema
Rua da Rosa, 277 - 2º
1200-385 Lisboa
+351 914 570 001
+351 913 672 710