Winnie Madikizela-Mandela is one of the most misunderstood and intriguingly powerful contemporary female political figures. For the first time, Winnie pieces together and properly considers her life and contribution to the struggle to bring down Apartheid.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.