Though herself a woman on the verge of a nervous breakdown, psychologist Hana still sees a horde of complex patients. Chytilová’s last feature is a human comedy/tragedy, a tale of ordinary madness and everyday hell, co-written by psychoanalyst Kateřina Irmanovová.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.