Known for his suave sophistication, Grant became an icon through his roles in some of the great films of the golden era of Hollywood cinema. But Grant was also a troubled man, describing himself as peering cautiously from behind a mask.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.