Program

Photo "Images of the World and the Inscription of War" © Harun Farocki, 1988

Farocki puts his finger on the essence of media violence, a "terrorist aesthetic" (Paul Virilio) of optic stimulation, which today appears on control panels as well as on television, with its admitted goal of making the observer into either an accomplice or a potential victim, as in times of war.

Christa Blümlinger