{"id":4754,"date":"2019-02-19T14:46:07","date_gmt":"2019-02-19T14:46:07","guid":{"rendered":"https:\/\/www.doclisboa.org\/2019\/?p=4754"},"modified":"2019-03-14T16:48:12","modified_gmt":"2019-03-14T16:48:12","slug":"mostra-amerindia-percursos-do-cinema-indigena-no-brasil","status":"publish","type":"post","link":"https:\/\/www.doclisboa.org\/2019\/mostra-amerindia-percursos-do-cinema-indigena-no-brasil\/","title":{"rendered":"Mostra Amer\u00edndia: Percursos do Cinema Ind\u00edgena no Brasil"},"content":{"rendered":"<p>&nbsp;<\/p>\n<table id=\"m_3537379841979370274m_-6947184687808995227gmail-m_-4293268167472169411bodyTable\" border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\n<tbody>\n<tr>\n<td id=\"m_3537379841979370274m_-6947184687808995227gmail-m_-4293268167472169411bodyCell\" align=\"center\" valign=\"top\">\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td id=\"m_3537379841979370274m_-6947184687808995227gmail-m_-4293268167472169411templateBody\" align=\"center\" valign=\"top\">\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\" align=\"center\">\n<tbody>\n<tr>\n<td valign=\"top\">\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\">\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\" align=\"left\">\n<tbody>\n<tr>\n<td valign=\"top\">\n<h3 class=\"m_3537379841979370274null\">13 &#8211; 17 MAR\u00c7O 2019<\/h3>\n<h3 class=\"m_3537379841979370274null\">Museu Calouste Gulbenkian \u2013 Colec\u0327a\u0303o Moderna<\/h3>\n<p>A produ\u00e7\u00e3o cinematogr\u00e1fica ind\u00edgena no Brasil tem contribu\u00eddo de um modo decisivo para a emerg\u00eancia de novos instrumentos de conhecimento ind\u00edgena e interven\u00e7\u00e3o no mundo.<\/p>\n<p>\u00c9 neste sentido\u00a0que a\u00a0Apordoc, em conjunto com os centros de investiga\u00e7\u00e3o\u00a0CHAM, CRIA, ICS,\u00a0\u00a0IHA, e\u00a0o Museu Calouste Gulbenkian, apresenta a\u00a0<a href=\"https:\/\/www.dropbox.com\/s\/l7lc9115yc3jneu\/Mostra_Amer%C3%ADndia_.pdf?dl=0\"><strong>Mostra Amer\u00edndia: Percursos do Cinema Ind\u00edgena no Brasil<\/strong><\/a><strong>.<\/strong><\/p>\n<p>Pensado de forma colaborativa com projetos envolvidos na produ\u00e7\u00e3o e difus\u00e3o desta cinematografia no Brasil, como a\u00a0<a href=\"https:\/\/doclisboa.us11.list-manage.com\/track\/click?u=2dc6f737e3d13fa6fe2a3c72e&amp;id=5125a213ce&amp;e=e4c5aa844b\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/doclisboa.us11.list-manage.com\/track\/click?u%3D2dc6f737e3d13fa6fe2a3c72e%26id%3D5125a213ce%26e%3De4c5aa844b&amp;source=gmail&amp;ust=1550663448971000&amp;usg=AFQjCNHh6glTACG3kepijJsmOJ5bfC9V5w\">Mostra Aldeia SP<\/a>, o programa integra uma multiplicidade de experi\u00eancias que nos retiram dos lugares convencionais de olhar e entender o cinema.<\/p>\n<p>A Mostra apresenta uma sele\u00e7\u00e3o de filmes em que os coletivos ind\u00edgenas actuam em diferentes n\u00edveis. Por vezes, s\u00e3o cineastas no sentido ocidental e direcionam a c\u00e2mara para o quotidiano da sua aldeia, rituais ou a sociedade colonial.\u00a0 Outras vezes colaboram com n\u00e3o-ind\u00edgenas na produ\u00e7\u00e3o de obras. As propostas, selecionadas de diferentes momentos hist\u00f3ricos e produzidas por diferentes povos ind\u00edgenas em diversos contextos de produ\u00e7\u00e3o, d\u00e3o forma a uma real multiplicidade nas suas escolhas formais e tem\u00e1ticas.<\/p>\n<p>A\u00a0presen\u00e7a in\u00e9dita de quatro\u00a0cineastas\u00a0ind\u00edgenas,\u00a0<strong>Ze<wbr \/>zinho Yube<\/strong>,\u00a0<strong>Maria Dalva Manduca Mateus Kaxinaw\u00e1 (Ayani)<\/strong>,\u00a0<strong>Patr\u00edcia Ferreira<\/strong>,<strong>\u00a0Alberto \u00c1lvares<\/strong><strong>,<\/strong>\u00a0assim como a vinda do curador e ativista\u00a0<strong>Ailton Krenak<\/strong>\u00a0e da artista pl\u00e1stica e ativista\u00a0<strong>Daiara Tukano<\/strong>, oferecem ao programa uma singularidade na comunica\u00e7\u00e3o com o p\u00fablico.<\/p>\n<p>A Mostra ter\u00e1 ainda um ciclo de\u00a0<a href=\"https:\/\/www.dropbox.com\/s\/l7lc9115yc3jneu\/Mostra_Amer%C3%ADndia_.pdf?dl=0\"><strong>debates<\/strong><\/a>\u00a0e uma publica\u00e7\u00e3o que funciona como instrumento de difus\u00e3o do conhecimento sobre os povos amer\u00edndios, o seu cinema, cosmovis\u00f5es e lutas na atualidade.<\/p>\n<p><strong>A sess\u00e3o de abertura ser\u00e1 no dia 13 de Mar\u00e7o, com o filme<em>\u00a0J\u00e1 Me Transformei em Imagem\u00a0<\/em>de Zezinho Yube\u00a0e haver\u00e1 um cocktail a partir das\u00a020h00.\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Datas:\u00a0<\/strong>13 &#8211; 17 de Mar\u00e7o de 2019<\/p>\n<p><strong>Local:\u00a0<\/strong>Museu Calouste Gulbenkian \u2013 Cole\u00e7\u00e3o Moderna \u2013 Sala Polivalente<br \/>\nR. Dr. Nicolau Bettencourt, 1050-078 Lisboa<\/p>\n<p><strong>Sess\u00f5es:\u00a0<\/strong>13 sess\u00f5es (16h00 | 19h00 | 21h00) + oficina infantil (16 Mar\u00e7o &#8211; 11h00)<\/p>\n<p>Todos os filmes s\u00e3o legendados em portugu\u00eas.<\/p>\n<p><strong>Bilhetes:<\/strong><\/p>\n<p>1 sess\u00e3o:<strong>\u00a03\u20ac<\/strong><br \/>\nGrupos de estudantes (10 ou mais estudantes):\u00a0<strong>1\u20ac\u00a0<\/strong>por pessoa<\/p>\n<p><strong>Os debates t\u00eam entrada gratuita mas \u00e9 necess\u00e1rio o levantamento do bilhete di\u00e1rio.\u00a0\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>FILMES EM EXIBI\u00c7\u00c3O:<\/strong><\/p>\n<p><strong>13 de Mar\u00e7o |\u00a0<\/strong><strong>21h00\u00a0 \u00a0 <\/strong><\/p>\n<p><strong>Sess\u00e3o de Abertura:\u00a0<\/strong><em>J\u00e1 Me Transformei em Imagem<\/em><\/p>\n<p><span class=\"s1\"><strong>Com presen\u00e7a do realizador, Zezinho Yube<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>14 de Mar\u00e7o <\/strong><\/p>\n<p><strong>16h00\u00a0<\/strong><\/p>\n<ul>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>Priara J\u00f5 \/ Depois do ovo, a Guerra,\u00a0<\/b><\/span><\/span>Komoi Panar\u00e1<\/li>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>Shom\u00f5tsi,\u00a0<\/b><\/span><\/span>Wewito Piy\u00e3ko<\/li>\n<\/ul>\n<p><strong>19h00<\/strong><\/p>\n<ul>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>Pemomba Eme,\u00a0<\/b><\/span><\/span>Coletivo Tenonder\u00e3 Ayvu<\/li>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>Vamos \u00e0 luta,\u00a0<\/b><\/span><\/span>Divino Tserewah\u00fa<\/li>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>GRIN,\u00a0<\/b><\/span><\/span>Roney Freitas e Isael Maxakali<\/li>\n<\/ul>\n<p><strong>21h00<\/strong><\/p>\n<ul>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>Carta Kis\u00eadj\u00ea para a Rio+20 \u2013 Amne adji papere mba,\u00a0<\/b><\/span><\/span>Kamiki\u00e3 Kis\u00eadj\u00ea<\/li>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>Um dia,\u00a0<\/b><\/span><\/span>Ty\u2019e Parakan\u00e3<\/li>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>As Hiper Mulheres,\u00a0<\/b><\/span><\/span>Carlos Fausto, Leonardo Sette, Takum\u00e3 Kuikuro<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>15 de Mar\u00e7o<\/strong><\/p>\n<p><strong>16h00<\/strong><\/p>\n<ul>\n<li>\n<p class=\"p1\"><span class=\"s1\"><b>\u00cdndio Cidad\u00e3o?,\u00a0<\/b><\/span><span class=\"s1\">Rodrigo Arajeju<\/span><\/p>\n<\/li>\n<\/ul>\n<p class=\"p1\"><strong>19h00<\/strong><\/p>\n<ul>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>ATL 2017 Acampamento Terra Livre,\u00a0<\/b><\/span><\/span>Edgar Kanayk\u00f5 Xakriab\u00e1<\/li>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>\u00cdndios Isolados &#8211; 1\u00ba Contato no Acre,\u00a0<\/b><\/span><\/span>FUNAI<\/li>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>A Arca dos Zo\u00e9,\u00a0<\/b><\/span><\/span>Vincent Carelli e Dominique Gallois<\/li>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>De volta a terra boa,\u00a0<\/b><\/span><\/span>Mari Corr\u00eaa, Vincent Carelli<\/li>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>N\u00f3s e os Brabos,\u00a0<\/b><\/span><\/span>Nilson Tuwe Huni Kuin<\/li>\n<\/ul>\n<p><strong>21h00<\/strong><\/p>\n<p><span class=\"s1\"><b>Com a presen\u00e7a das realizadoras, Ayani Hunikuin e Patr\u00edcia Ferreira<\/b><\/span><\/p>\n<ul>\n<li><span class=\"s1\"><span class=\"s1\"><b>Ayani por Ayani,\u00a0<\/b><\/span><\/span>Ayani Hunikuin<\/li>\n<li><span class=\"s1\"><span class=\"s1\"><b>Tava, a casa de pedra, <\/b>A<\/span><\/span>riel Ortega, Ernesto de Carvalho, Patr\u00edcia Ferreira, Vincent Carell<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>16 de Mar\u00e7o<\/strong><\/p>\n<p><span class=\"s1\"><b>Com a presen\u00e7a de Alberto \u00c1lvares<\/b><\/span><\/p>\n<p><strong>16h00<\/strong><\/p>\n<ul>\n<li><span class=\"s1\"><span class=\"s1\"><b>Tekoha Ha\u2019e Tet\u00e3 \/ Aldeia e Cidade, <\/b>Alberto \u00c1lvares<\/span><\/span><\/li>\n<li><span class=\"s1\"><span class=\"s1\"><b>Guardi\u00f5es da Mem\u00f3ria,\u00a0<\/b><\/span><\/span>Alberto \u00c1lvares<\/li>\n<li style=\"list-style-type: none;\"><\/li>\n<\/ul>\n<p><strong>19h00<\/strong><\/p>\n<ul>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>Guairaka&#8217;i ja \/ O dono da Lontra,\u00a0<\/b><\/span><\/span>Centro de trabalho Ind\u00edgena<\/li>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>Kon\u00e3gxeka: o Dil\u00favio Maxakali,\u00a0<\/b><\/span><\/span>Charles Bicalho e Isael Maxakali<\/li>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>Vende-se Pequi,\u00a0<\/b><\/span><\/span>Andr\u00e9 Lopes e Jo\u00e3o Paulo Kayoli<\/li>\n<li><strong>Xokxop Pet,\u00a0<span style=\"font-weight: 400;\">Paj\u00e9 Filmes<\/span><\/strong><\/li>\n<\/ul>\n<p><strong>21h00<\/strong><\/p>\n<ul>\n<li class=\"p1\"><span class=\"s1\"><span class=\"s1\"><b>Quem n\u00e3o come com a gente,\u00a0<\/b><\/span><\/span>Guigui Maxakali<\/li>\n<li class=\"p1\"><b style=\"font-family: inherit; font-size: inherit;\"><b style=\"font-family: inherit; font-size: inherit;\">Kakxop Pit H\u00e3mkoxuk Xop Te Yumug\u00e3h\u00e3\/ Inicia\u00e7\u00e3o Dos Filhos dos Esp\u00edritos Da Terra, <\/b><\/b>Isael Maxakali, Sueli Maxakali, Carolina Cangu\u00e7u<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>17 de Mar\u00e7o<\/strong><\/p>\n<p><strong>16h00<\/strong><\/p>\n<ul>\n<li><strong>O Esp\u00edrito da TV<\/strong>, Vincent Carelli<\/li>\n<li><span class=\"s1\"><span class=\"s1\"><b>Shuku Shukuwe \/ A vida \u00e9 para sempre,\u00a0<\/b><\/span><\/span>Agostinho Manduca Mateus Ika Muru Huni Kuin<\/li>\n<\/ul>\n<p><strong>19h00<\/strong><\/p>\n<ul>\n<li><strong>Eju Orendive, <\/strong>TV CUFA Dourados<\/li>\n<li><strong>Ivy Re\u00f1oi, Sementes da Terra, <\/strong>ASCURI<\/li>\n<li><strong>Ava Yvy Vera \/ A Terra do Povo do Raio<\/strong>, <span style=\"font-weight: 400;\">Genito Gomes, Valmir Gon\u00e7alves Cabreira, Johnaton Gomes, Joilson Brites, Johnn Nara Gomes, Sarah Brites, Dulc\u00eddio Gomes e Edna Ximenes<\/span><\/li>\n<\/ul>\n<p><strong>21h00<\/strong><\/p>\n<p><b>Com a presen\u00e7a de Glic\u00e9ria Tupinamb\u00e1<\/b><\/p>\n<ul>\n<li><strong>Kalapalo, <\/strong>AJA<\/li>\n<li><span class=\"s1\"><b>Voz das Mulheres Ind\u00edgenas, <\/b>Glic\u00e9ria Tupinamb\u00e1 e Cristiane Pankararu<\/span><\/li>\n<li><strong>Pirinop &#8211; Meu Primeiro Contato, <\/strong>Mari Corr\u00eaa e Karan\u00e9 Ikpeng<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Programa\u00e7\u00e3o de filmes e debates <strong><a href=\"https:\/\/www.dropbox.com\/s\/l7lc9115yc3jneu\/Mostra_Amer%C3%ADndia_.pdf?dl=0\">AQUI<\/a><\/strong>.<\/p>\n<p>Conhe\u00e7a a programa\u00e7\u00e3o completa e os convidados presentes\u00a0<a href=\"https:\/\/www.dropbox.com\/s\/743cho63fpt3quh\/MOSTRA%20AMER%C3%8DNDIA_PROGRAMA.pdf?dl=0\"><strong>AQUI<\/strong><\/a>.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; 13 &#8211; 17 MAR\u00c7O 2019 Museu Calouste Gulbenkian \u2013 Colec\u0327a\u0303o Moderna A produ\u00e7\u00e3o cinematogr\u00e1fica ind\u00edgena no Brasil tem contribu\u00eddo de um modo decisivo para a emerg\u00eancia de novos instrumentos de conhecimento ind\u00edgena e interven\u00e7\u00e3o no mundo. \u00c9 neste sentido\u00a0que a\u00a0Apordoc, em conjunto com os centros de investiga\u00e7\u00e3o\u00a0CHAM, CRIA, ICS,\u00a0\u00a0IHA, e\u00a0o Museu Calouste Gulbenkian, apresenta <a href=\"https:\/\/www.doclisboa.org\/2019\/mostra-amerindia-percursos-do-cinema-indigena-no-brasil\/\" class=\"more-link\">&#8230;<\/a><\/p>\n","protected":false},"author":2,"featured_media":4755,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/posts\/4754"}],"collection":[{"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/comments?post=4754"}],"version-history":[{"count":0,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/posts\/4754\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/media\/4755"}],"wp:attachment":[{"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/media?parent=4754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/categories?post=4754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/tags?post=4754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}