{"id":4256,"date":"2018-10-27T12:42:44","date_gmt":"2018-10-27T12:42:44","guid":{"rendered":"https:\/\/www.doclisboa.org\/2019\/?p=4256"},"modified":"2018-11-07T15:16:44","modified_gmt":"2018-11-07T15:16:44","slug":"palmares-2018","status":"publish","type":"post","link":"https:\/\/www.doclisboa.org\/2019\/palmares-2018\/","title":{"rendered":"Palmar\u00e9s 2018"},"content":{"rendered":"<p style=\"text-align: center;\"><a href=\"https:\/\/www.doclisboa.org\/2019\/edicao-actual\/seccoes\/competicao-internacional\/\"><u>Competi\u00e7\u00e3o Internacional<\/u><\/a><\/p>\n<p style=\"text-align: center;\">J\u00fari: Agn\u00e8s Godard, Leo Goldsmith, Mariana Gaiv\u00e3o, Mike Hoolboom, Yael Bartana<br \/>\nGrande Pr\u00e9mio<strong>\u00a0Cidade de Lisboa<\/strong>\u00a0para Melhor Filme da Competi\u00e7\u00e3o Internacional<br \/>\n<a href=\"https:\/\/www.doclisboa.org\/2019\/filmes\/greetings-from-free-forests\/\"><strong>GREETINGS FROM FREE FORESTS<\/strong><\/a>, Ian Soroka<\/p>\n<p style=\"text-align: center;\">Pr\u00e9mio<strong>\u00a0<a href=\"https:\/\/www.spautores.pt\/\">Sociedade Portuguesa de Autores<\/a><\/strong>\u00a0do J\u00fari da Competi\u00e7\u00e3o Internacional<br \/>\n<a href=\"https:\/\/www.doclisboa.org\/2019\/filmes\/the-guest\/\"><strong>THE GUEST<\/strong><\/a>, Sebastian Weber<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.doclisboa.org\/2019\/edicao-actual\/seccoes\/competicao-portuguesa\/\"><u>Competi\u00e7\u00e3o Portuguesa<\/u><\/a><\/p>\n<p style=\"text-align: center;\">J\u00fari: Madeleine Molyneaux, Rui Catal\u00e3o, Virginia Garcia del Pino<\/p>\n<p style=\"text-align: center;\">Pr\u00e9mio<strong>\u00a0<a href=\"https:\/\/www.doclisboa.org\/2019\/\">Doclisboa<\/a><\/strong>\u00a0para Melhor Filme da Competi\u00e7\u00e3o Portuguesa<br \/>\n<a href=\"https:\/\/www.doclisboa.org\/2019\/filmes\/terra\/\"><strong>TERRA<\/strong><\/a>, Hiroatsu Suzuki, Rossana Torres<\/p>\n<p style=\"text-align: center;\">Pr\u00e9mio<strong>\u00a0<a href=\"http:\/\/kinosoundstudio.com\/en\/homepage-en\/\">Kino Sound Studio<\/a><\/strong>\u00a0do J\u00fari da Competi\u00e7\u00e3o Portuguesa<br \/>\n<a href=\"https:\/\/www.doclisboa.org\/2019\/filmes\/pele-de-luz\/\"><strong>PELE DE LUZ<\/strong><\/a>, Andr\u00e9 Guiomar<\/p>\n<p style=\"text-align: center;\">Men\u00e7\u00e3o Honrosa do J\u00fari da Competi\u00e7\u00e3o Portuguesa<br \/>\n<a href=\"https:\/\/www.doclisboa.org\/2019\/filmes\/vacas-e-rainhas\/\"><strong>VACAS E RAINHAS<\/strong><\/a>, Laura Marques<\/p>\n<p style=\"text-align: center;\">J\u00fari Escolas: Daniela Carvalho, Francisco Rom\u00e3o, Jo\u00e3o Aveiro Figueira,<br \/>\nRuben Fajardo, Vitor Hugo<br \/>\nPr\u00e9mio Escolas \u2013 Pr\u00e9mio\u00a0<a href=\"https:\/\/www.etic.pt\/\"><strong>ETIC<\/strong><\/a>\u00a0para Melhor Filme da Competi\u00e7\u00e3o Portuguesa<br \/>\n<a href=\"https:\/\/www.doclisboa.org\/2019\/filmes\/terra-franca\/\"><strong>TERRA FRANCA<\/strong><\/a>, Leonor Teles<\/p>\n<p style=\"text-align: center;\"><u>Competi\u00e7\u00e3o Transversal<\/u><\/p>\n<p style=\"text-align: center;\">J\u00fari Pr\u00e9mios Revela\u00e7\u00e3o e Curta: Adam Cook, Fabienne Moris, Tiago Hespanha<br \/>\nPr\u00e9mio revela\u00e7\u00e3o \u2013 Pr\u00e9mio\u00a0<a href=\"http:\/\/www.tvcine.pt\/\"><strong>Canais TVCine<\/strong><\/a>\u00a0para melhor primeira longa-<br \/>\nmetragem (mais de 60\u2019) de uma selec\u00e7\u00e3o transversal a todas as sec\u00e7\u00f5es,<br \/>\nexcepto retrospectivas e cinema de urg\u00eancia<br \/>\nVencedor:\u00a0<a href=\"https:\/\/www.doclisboa.org\/2019\/filmes\/cidade-marconi\/\"><strong>CIDADE MARCONI<\/strong><\/a>, Ricardo Moreira<br \/>\nMen\u00e7\u00e3o Honrosa:\u00a0<a href=\"https:\/\/www.doclisboa.org\/2019\/filmes\/dawn\/\"><strong>AMANECER<\/strong><\/a>, Carmen Torres<br \/>\nMen\u00e7\u00e3o Honrosa:\u00a0<a href=\"https:\/\/www.doclisboa.org\/2019\/filmes\/paul-is-dead\/\"><strong>PAUL IS DEAD<\/strong><\/a>, Antoni Collot<\/p>\n<p style=\"text-align: center;\">Pr\u00e9mio\u00a0<a href=\"https:\/\/www.ageas.pt\/\"><strong>Ageas Seguros<\/strong><\/a>\u00a0para Melhor Curta-Metragem (at\u00e9 40\u2019)<br \/>\nde uma selec\u00e7\u00e3o transversal a todas as sec\u00e7\u00f5es,<br \/>\nexcepto retrospectivas e <a href=\"https:\/\/www.doclisboa.org\/2019\/edicao-actual\/seccoes\/cinema-de-urgencia\/\">Cinema de Urg\u00eancia<\/a><br \/>\n<a href=\"https:\/\/www.doclisboa.org\/2019\/filmes\/the-guest\/\"><strong>THE GUEST<\/strong><\/a>, Sebastian Weber<\/p>\n<p style=\"text-align: center;\">Pr\u00e9mio do P\u00fablico \u2013 Pr\u00e9mio\u00a0<a href=\"https:\/\/www.publico.pt\/\"><strong>Jornal P\u00fablico<\/strong><\/a>\u00a0para Melhor Filme Portugu\u00eas<br \/>\nTransversal a competi\u00e7\u00f5es, <a href=\"https:\/\/www.doclisboa.org\/2019\/edicao-actual\/seccoes\/riscos\/\">Riscos<\/a>, <a href=\"https:\/\/www.doclisboa.org\/2019\/edicao-actual\/seccoes\/heart-beat\/\">Heart Beat<\/a> e <a href=\"https:\/\/www.doclisboa.org\/2019\/edicao-actual\/seccoes\/da-terra-a-lua\/\">Da Terra \u00e0 Lua<\/a><br \/>\n<a href=\"https:\/\/www.doclisboa.org\/2019\/filmes\/vadio-i-am-not-a-poet\/\"><strong>VADIO<\/strong><\/a>, Stefan Lechner<\/p>\n<p style=\"text-align: center;\">J\u00fari Pr\u00e9mio <a href=\"http:\/\/www.inatel.pt\/\">Funda\u00e7\u00e3o Inatel<\/a>: Kristina Konrad, Marta Lan\u00e7a, Rodrigo Lacerda<br \/>\nPr\u00e9mio Pr\u00e1tica, Tradi\u00e7\u00e3o e Patrim\u00f3nio \u2013 Pr\u00e9mio <a href=\"http:\/\/www.inatel.pt\/\">Funda\u00e7\u00e3o Inatel<\/a> para Melhor Filme<br \/>\nde tem\u00e1tica associada a pr\u00e1ticas e tradi\u00e7\u00f5es culturais<br \/>\ne ao patrim\u00f3nio imaterial da humanidade,<br \/>\nde uma selec\u00e7\u00e3o transversal a todas as sec\u00e7\u00f5es<br \/>\nexcepto retrospectivas e <a href=\"https:\/\/www.doclisboa.org\/2019\/edicao-actual\/seccoes\/cinema-de-urgencia\/\">Cinema de Urg\u00eancia<\/a><br \/>\n<a href=\"https:\/\/www.doclisboa.org\/2019\/filmes\/vacas-e-rainhas\/\"><strong>VACAS E RAINHAS<\/strong><\/a>, Laura Marques<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.doclisboa.org\/2019\/edicao-actual\/seccoes\/verdes-anos\/\"><u>Competi\u00e7\u00e3o Verdes Anos<\/u><\/a><\/p>\n<p style=\"text-align: center;\">J\u00fari: Mar\u00eda Vera, Pedro Cabeleira, Stoffel Debuysere<br \/>\nPr\u00e9mio\u00a0<strong><a href=\"https:\/\/schoolofartsgent.be\/en\">Kask<\/a>\/<a href=\"https:\/\/www.brusselsairlines.com\/\">Brussels Airlines<\/a>\u00a0<\/strong>para melhor filme dos Verdes Anos<br \/>\nBolsa de participa\u00e7\u00e3o em oficina de tr\u00eas semanas realizada na <a href=\"https:\/\/schoolofartsgent.be\/en\">Kask<\/a>,<br \/>\napoiada por tutores da escola, com vista ao desenvolvimento de um projecto.<br \/>\nInclui estadia e acredita\u00e7\u00e3o para o Courtisane Festival 2019<br \/>\ne voo de ida e volta na <a href=\"https:\/\/www.brusselsairlines.com\/\">Brussels Airlines<\/a><br \/>\n<a href=\"https:\/\/www.doclisboa.org\/2019\/filmes\/after-the-fire\/\"><strong>AFTER THE FIRE<\/strong><\/a>, Ahsan Mahmood Yunus<\/p>\n<p style=\"text-align: center;\">Pr\u00e9mio Especial\u00a0<strong>Walla Collective<\/strong>\u00a0do J\u00fari Verdes Anos<br \/>\n<a href=\"https:\/\/www.doclisboa.org\/2019\/filmes\/aos-meus-pais\/\"><strong>AOS MEUS PAIS<\/strong><\/a>, Melanie Pereira<\/p>\n<p style=\"text-align: center;\">Pr\u00e9mio\u00a0<a href=\"https:\/\/www.docskingdom.org\/\"><strong>Doc\u2019s Kingdom<\/strong><\/a>\u00a0para Melhor Realiza\u00e7\u00e3o\u00a0Verdes Anos<br \/>\nBolsa de Participa\u00e7\u00e3o no semin\u00e1rio Doc\u2019s Kingdom<br \/>\n<a href=\"https:\/\/www.doclisboa.org\/2019\/filmes\/song-of-the-bell\/\"><strong>SONG OF THE BELL<\/strong><\/a>, Hosein Jalilvand<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.doclisboa.org\/2019\/arche-pt\/\"><u>ARCH\u00c9<\/u><\/a><\/p>\n<p style=\"text-align: center;\">J\u00fari: Brigitta Burger-Utzer, Madeleyne Molineaux, Margarida Leit\u00e3o<br \/>\nPr\u00e9mio\u00a0<a href=\"https:\/\/www.rtp.pt\/\"><strong>RTP<\/strong><\/a>\u00a0para melhor projecto em fase de p\u00f3s-produ\u00e7\u00e3o &#8211; Co-produ\u00e7\u00e3o<br \/>\n<strong>FANTASMAS: CAMINHO LONGO PARA CASA<\/strong>, Tiago Siopa<\/p>\n<p style=\"text-align: center;\">Pr\u00e9mio\u00a0<a href=\"http:\/\/www.fcsh.unl.pt\/\"><strong>FCSH<\/strong><\/a>\u00a0para melhor projecto das oficinas Arch\u00e9<br \/>\n<strong>VIAGEM AOS MAKONDE DE MO\u00c7AMBIQUE<\/strong>, Catarina Alves Costa<\/p>\n<p style=\"text-align: center;\">Pr\u00e9mio\u00a0<a href=\"http:\/\/arquipelagocentrodeartes.azores.gov.pt\/en\/\"><strong>Arquip\u00e9lago \u2013 Centro de Artes Contempor\u00e2neas<\/strong><\/a>\u00a0para melhor projecto<br \/>\nem fase de escrita. Resid\u00eancia art\u00edstica de duas semanas<br \/>\nno Centro de Artes Contempor\u00e2neas Arquip\u00e9lago, na ilha de S\u00e3o Miguel, A\u00e7ores<br \/>\n<strong>LA PLAYA DE LOS ENCHARQUIDOS<\/strong>, Iv\u00e1n Mora Manzano<\/p>\n<p style=\"text-align: center;\">Pr\u00e9mio\u00a0<strong><a href=\"https:\/\/bienal.buenosaires.gob.ar\/\">Bienal Arte Jovem<\/a>\u00a0<\/strong>&#8211; Participa\u00e7\u00e3o de um projecto do Arch\u00e9<br \/>\nna Bienal de Arte Jovem de Buenos Aires, em Julho de 2019 na capital argentina<br \/>\n<strong>AMOR E MEDOS ESTRANHOS<\/strong>, Deborah Viegas<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Competi\u00e7\u00e3o Internacional J\u00fari: Agn\u00e8s Godard, Leo Goldsmith, Mariana Gaiv\u00e3o, Mike Hoolboom, Yael Bartana Grande Pr\u00e9mio\u00a0Cidade de Lisboa\u00a0para Melhor Filme da Competi\u00e7\u00e3o Internacional GREETINGS FROM FREE FORESTS, Ian Soroka Pr\u00e9mio\u00a0Sociedade Portuguesa de Autores\u00a0do J\u00fari da Competi\u00e7\u00e3o Internacional THE GUEST, Sebastian Weber Competi\u00e7\u00e3o Portuguesa J\u00fari: Madeleine Molyneaux, Rui Catal\u00e3o, Virginia Garcia del Pino Pr\u00e9mio\u00a0Doclisboa\u00a0para Melhor Filme da <a href=\"https:\/\/www.doclisboa.org\/2019\/palmares-2018\/\" class=\"more-link\">&#8230;<\/a><\/p>\n","protected":false},"author":2,"featured_media":4260,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/posts\/4256"}],"collection":[{"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/comments?post=4256"}],"version-history":[{"count":0,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/posts\/4256\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/media\/4260"}],"wp:attachment":[{"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/media?parent=4256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/categories?post=4256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/tags?post=4256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}