{"id":151,"date":"2018-09-03T14:57:23","date_gmt":"2018-09-03T14:57:23","guid":{"rendered":"http:\/\/localhost\/doc1000\/?p=151"},"modified":"2018-09-26T16:32:00","modified_gmt":"2018-09-26T16:32:00","slug":"vamos-da-terra-a-lua-com-wang-bing-e-zelimir-zilnik","status":"publish","type":"post","link":"https:\/\/www.doclisboa.org\/2019\/vamos-da-terra-a-lua-com-wang-bing-e-zelimir-zilnik\/","title":{"rendered":"Vamos &#8220;Da Terra \u00e0 Lua&#8221; com Wang Bing e \u017delimir \u017dilnik"},"content":{"rendered":"<p><strong>&#8220;Da Terra \u00e0 Lua&#8221; \u00e9 a <a href=\"https:\/\/www.doclisboa.org\/2019\/edicao-actual\/seccoes\/\">sec\u00e7\u00e3o do Doclisboa<\/a> que estreia, fora de Competi\u00e7\u00e3o, os mais recentes filmes de realizadores-chave do panorama documental. Em 2018, traz-nos uma selec\u00e7\u00e3o de 21 filmes que d\u00e3o a ver o mundo de hoje e o futuro que se parece desenhar.<\/strong><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=GnB-4IP50Bk\">Dead Souls<\/a>, de Wang Bing,\u00a0 integrou a selec\u00e7\u00e3o oficial do Festival de Cannes e n\u00e3o podia faltar. Bem\u00a0como <a href=\"http:\/\/zilnikzelimir.net\/most-beautiful-country-world\">The Most Beautiful Country in the World<\/a>, de\u00a0\u017delimir \u017dilnik, que apresentamos em estreia mundial.<\/p>\n<p>Destaque ainda para:\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=zaow0_e9loE\">Of Fathers and Sons<\/a>, em que Talal Derki acompanha\u00a0o dia-a-dia de uma fam\u00edlia radical isl\u00e2mica. <a href=\"https:\/\/www.youtube.com\/watch?v=m6NZoSfFYOk\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=https:\/\/www.youtube.com\/watch?v%3Dm6NZoSfFYOk&amp;source=gmail&amp;ust=1536356651338000&amp;usg=AFQjCNF8A3POSBrgYlKL2W2HyDRGy_8dWQ\">Eldorado<\/a>, de Markus Imhoof,\u00a0filme que acompanha a crise de refugiados reflectindo sobre a hist\u00f3ria da Europa e ganhou o Pr\u00e9mio da Amnistia internacional no Festival de Berlim. <a href=\"https:\/\/www.youtube.com\/watch?v=aNgNfDVbqlk\">Fahavalo, Madagascar 1947<\/a>, onde Marie-Cl\u00e9mence Andriamonta-Paes revisita a independ\u00eancia de Madag\u00e1scar.\u00a0<a href=\"https:\/\/thesilenceofothers.com\/\">Yours in Sisterhood<\/a>, onde Irene Lusztig colhe depoimentos com base em cartas enviadas durante os anos 70 para Ms., a primeira revista feminista norte-americana. Ou <a href=\"https:\/\/thesilenceofothers.com\/\">The Silence of Others<\/a> (na imagem) em que Almudena Carracedo e Robert Bahar mostram a luta de 40 anos de v\u00edtimas da ditadura do general Franco. Com produ\u00e7\u00e3o de Pedro Almod\u00f3var, foi premiado em Berlim (Pr\u00e9mio do P\u00fablico e Pr\u00e9mio da Paz), Sheffield e Moscovo.<\/p>\n<p>&nbsp;<\/p>\n<h3>SEC\u00c7\u00c3O &#8220;DA TERRA \u00c0 LUA&#8221; \u2014 PROGRAMA\u00c7\u00c3O<\/h3>\n<ul>\n<li><strong>Amanecer<\/strong> | Carmen Torres<\/li>\n<li><strong>Ava Yvy Vera<\/strong> <strong>&#8211; A Terra do Povo do Raio<\/strong> |\u00a0Genito Gomes, Valmir Gon\u00e7alves Cabreira, Jhonn Nara Gomes, Jhonatan Gomes, Edina Ximenez, Dulc\u00eddio Gomes, Sarah Brites, Joilson Brites<\/li>\n<li><strong>Chaco<\/strong> |\u00a0Daniele Incalcaterra, Fausta Quattrini<\/li>\n<li><strong>Dead Souls<\/strong> |\u00a0Wang Bing<\/li>\n<li><strong>Eldorado<\/strong> |\u00a0Markus Imhoof<\/li>\n<li><strong>Fahavalo, Madagascar 1947<\/strong>\u00a0 | Marie-Cl\u00e9mence Andriamonta Paes<\/li>\n<li><strong>Graves Without a Name<\/strong> |\u00a0Rithy Panh<\/li>\n<li><strong>Of Fathers and Sons<\/strong> |\u00a0Talal Derki<\/li>\n<li><strong>One or Two Questions<\/strong> |\u00a0Kristina Konrad<\/li>\n<li><strong>Pe San I\u00e9 &#8211; o Poeta de Macau<\/strong>\u00a0|\u00a0Rosa Cabral<\/li>\n<li><strong>O<\/strong>\u00a0<strong>Plano<\/strong> |\u00a0Steve Sprung<\/li>\n<li><strong>Samouni Road<\/strong> |\u00a0Stefano Savona<\/li>\n<li><strong>The Creator of Universes<\/strong> |\u00a0Mercedes Dominioni<\/li>\n<li><strong>The Most Beautiful Country in the World<\/strong> |\u00a0\u017delimir \u017dilnik<\/li>\n<li><strong>The Raft<\/strong> |\u00a0Marcus Lindeen<\/li>\n<li><strong>The Silence of Others<\/strong> | Almudena Carracedo, Robert Bahar<\/li>\n<li><strong>Your Charming Brown Eyes<\/strong> |\u00a0Rui Sim\u00f5es<\/li>\n<li><strong>Yours in Sisterhood<\/strong> |\u00a0Irene Lusztig<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Da Terra \u00e0 Lua&#8221; \u00e9 a sec\u00e7\u00e3o do Doclisboa que estreia, fora de Competi\u00e7\u00e3o, os mais recentes filmes de realizadores-chave do panorama documental. Em 2018, traz-nos uma selec\u00e7\u00e3o de 21 filmes que d\u00e3o a ver o mundo de hoje e o futuro que se parece desenhar. Dead Souls, de Wang Bing,\u00a0 integrou a selec\u00e7\u00e3o oficial <a href=\"https:\/\/www.doclisboa.org\/2019\/vamos-da-terra-a-lua-com-wang-bing-e-zelimir-zilnik\/\" class=\"more-link\">&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":156,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/posts\/151"}],"collection":[{"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/comments?post=151"}],"version-history":[{"count":0,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/posts\/151\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/media\/156"}],"wp:attachment":[{"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/media?parent=151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/categories?post=151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/wp-json\/wp\/v2\/tags?post=151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}