{"id":503055,"date":"2019-10-26T21:00:54","date_gmt":"2019-10-26T20:00:54","guid":{"rendered":"https:\/\/www.doclisboa.org\/2019\/?p=503055"},"modified":"2020-02-03T12:05:01","modified_gmt":"2020-02-03T12:05:01","slug":"winners-doclisboa19","status":"publish","type":"post","link":"https:\/\/www.doclisboa.org\/2019\/en\/winners-doclisboa19\/","title":{"rendered":"Winners | doclisboa&#8217;19"},"content":{"rendered":"<p>A journey around the world (of cinema) has come to an end. After screening more than 300 films in 10 days, over the city of Lisbon, Doclisboa is proud to announce the winners of its 17th edition.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Doclisboa\u201919 Award Winners<\/strong><\/p>\n<p><strong><u>International Competition<\/u><\/strong><\/p>\n<p><u>JURY<\/u>: Billy Woodberry, Carlos Almeida, J\u00e9r\u00f4me Bel, Juliano Gomes, Leonor Silveira, Mania Akbari<\/p>\n<p><strong>City of Lisbon Award for best International Competition film<\/strong><\/p>\n<p><strong><em>SANTIKHIRI SONATA<\/em><\/strong>, Thunska Pansittivorakul (Thailand, Germany)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Portuguese Authors Society International Competition Jury Award<\/strong><\/p>\n<p><strong><em>NE CROYEZ SURTOUT PAS QUE JE HURLE (JUST DON\u2019T THINK I\u2019LL SCREAM)<\/em><\/strong>, Frank Beauvais (France)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Special Mention<\/strong><\/p>\n<p><strong><em>UM FILME DE VER\u00c3O (SUN INSIDE)<\/em><\/strong>, Jo Serfaty (Brazil)<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>Portuguese Competition<\/u><\/strong><\/p>\n<p><u>JURY<\/u>: Daniel Hui, Ghassan Salhab, Golgona Anghel<\/p>\n<p><strong>DocLisboa Award for best Portuguese Competition film<\/strong><\/p>\n<p><strong><em>VIVEIRO (BREEDING GROUND)<\/em><\/strong>, Pedro Filipe Marques (Portugal)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>MCFLY SPF Portuguese Competition Jury Award\u00a0<\/strong><\/p>\n<p><strong><em>CERRO DOS PIOS (BIRD\u2019S NEST)<\/em><\/strong>, Miguel de Jesus (Portugal)<\/p>\n<p><u>\u00a0<\/u><\/p>\n<p><strong><u>Cross-Sectional Competition<\/u><\/strong><\/p>\n<p><u>NEW TALENT AND BEST SHORT FILM JURY<\/u>: Aya Koretzky, Sofia Bohdanowicz, Veton Nurkollari<\/p>\n<p><strong>New Talent Award<\/strong><\/p>\n<p><strong>TVCine Channels Award for best first feature-length film (over 60\u2019) from a selection comprising all sections with the exception of the Retrospectives and Cinema of Urgency (3.500\u20ac Includes the acquisition of the rights for Portugal)<\/strong><\/p>\n<p><strong><em>SERPENT\u00c1RIO (SERPENTARIUS)<\/em><\/strong>, Carlos Concei\u00e7\u00e3o (Angola, Portugal)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ageas Insurance Award for best short film (up to 40\u2019) from a selection comprising all sections with the exception of the Retrospectives and Cinema of Urgency (1.000\u20ac)<\/strong><\/p>\n<p><em>The winner will be pre-nominated for the Academy Award for Best Documentary (Short Film). DocLisboa \u2013 International Film Festival was selected by the Academy of Motion Picture Arts and Sciences to prenominate candidates to the Oscars\u00ae, thus becoming the only Portuguese festival to take part in the network of Academy qualified festivals<\/em><\/p>\n<p><strong><em>TRIBUTE TO JUDAS (HOMENATGE A JUDES)<\/em><\/strong>, Manel Raga Raga (Spain, Bosnia Herzegovina)<\/p>\n<p>&nbsp;<\/p>\n<p><u>INATEL JURY<\/u>: Cl\u00e1udia Marques Santos, Filipe Reis, Rossana Torres<\/p>\n<p><strong>Practice, Tradition and Heritage Award \u2013 Inatel Foundation Award for best film dealing with cultural and tradition practices as well as intangible cultural heritage from a selection comprising all sections with the exception of the Retrospectives and Cinema of Urgency (1.500\u20ac)<\/strong><\/p>\n<p><strong><em>O \u00daLTIMO SONHO (THE LAST DREAM)<\/em><\/strong>, Alberto Alvares (Brazil)<\/p>\n<p>&nbsp;<\/p>\n<p><u>JURY<\/u>: Alice Milheiro, Margarida Cardoso, Sofia Lopes Machaqueiro<\/p>\n<p><strong>Fernando Lopes Award<\/strong><\/p>\n<p><strong>Midas Filmes and DocLisboa Award for Best Portuguese First Film<\/strong><\/p>\n<p><strong><em>RIO TORTO<\/em><\/strong>, M\u00e1rio Veloso (Portugal)<\/p>\n<p>&nbsp;<\/p>\n<p><u>SCHOOLS JURY<\/u>: Andr\u00e9 Amaral, Daniel Vilela, Frederica Costa, \u00cdris D\u00f3rdio, Joana Carvalho<\/p>\n<p><strong>Schools Award \u2013 ETIC Award for best Portuguese Competition film\u00a0<\/strong><\/p>\n<p><strong><em>TR\u00caS PERDIDOS FAZEM UM ENCONTRADO (LOST THREE MAKE ONE FOUND)<\/em><\/strong>, Atsushi Kuwayama (Portugal, Japan, Belgium, Hungary)<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>Green Years Competition<\/u><\/strong><\/p>\n<p><u>JURY<\/u>: Alexandra Dias Fortes, Katharina Tebroke, S\u00e9lina Boye, Silas Tiny<\/p>\n<p><strong>DFFB Award for Best Green Years Film<\/strong><\/p>\n<p><strong>Participation grant for a workshop at DFFB, supported by school tutors, aiming at developing a project<\/strong><\/p>\n<p><strong><em>DEN GENIALE EPOKE (A FAMILY TALE)<\/em><\/strong>, Natalia Ciepiel (Denmark)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Special MCFLY SPF Green Years Jury Award<\/strong><\/p>\n<p><strong>(3000\u20ac in technical services)<\/strong><\/p>\n<p><strong><em>DOPLOVIT \u0106E REX (THE REX WILL SAIL IN)<\/em><\/strong>, Josip Luki\u0107 (Croatia)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Pedro Fortes Award for Best Green Years Portuguese Film<\/strong><\/p>\n<p><strong>Participation grant for Doc\u2019s Kingdom \u2013 International Seminar on Documentary Film<\/strong><\/p>\n<p><strong><em>RIO TORTO<\/em><\/strong>, M\u00e1rio Veloso (Portugal)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Special Mention<\/strong><\/p>\n<p><strong><em>SIMULACRO (SIMULACRUM)<\/em><\/strong>, Duarte Maltez (Portugal)<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>ARCH\u00c9<\/u><\/strong><\/p>\n<p><u>JURY<\/u>: Chi-Hui Yang, Luana Melga\u00e7o, Matthijs Wouter Knol<\/p>\n<p><strong>RTP Award for best project in the post-production stage<\/strong><\/p>\n<p><strong><em>O LUGAR MAIS SEGURO DO MUNDO (THE SAFEST PLACE IN THE WORLD)<\/em><\/strong>, Aline Lata, Helena Wolfenson (Production: Krassivaya Filmes &#8211; Brazil)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>NOVA \/ FCSH Award for best Arch\u00e9 workshops project<\/strong><\/p>\n<p><strong><em>BABADO<\/em><\/strong>, Camila Freitas, Jo\u00e3o Vieira Torres (Production: Duas Mariola Filmes, Primeira Idade \u2013 Brazil, Portugal)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Special Mention<\/strong><\/p>\n<p><strong><em>LA MEMORIA DE LAS MARIPOSAS (THE MEMORY OF BUTTERFLIES)<\/em><\/strong>, Tatiana Fuentes Sadowski (Production: Isabel Madue\u00f1o Medina, Miti Films,\u00a0 Soci\u00e9t\u00e9 Ac\u00e9phale \u2013 Peru, France)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Arquip\u00e9lago \u2013 Contemporary Art Center Award for best project in the writing stage<\/strong><\/p>\n<p><strong>Two-week artistic residency at the Contemporary Art Center Arquip\u00e9lago, Island of S\u00e3o Miguel, Azores<\/strong><\/p>\n<p><strong><em>LA MEMORIA DE LAS MARIPOSAS (THE MEMORY OF BUTTERFLIES)<\/em><\/strong>, Tatiana Fuentes Sadowski (Production: Isabel Madue\u00f1o Medina, Miti Films,\u00a0 Soci\u00e9t\u00e9 Ac\u00e9phale \u2013 Peru, France)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Audience Award &#8211; P\u00fablico Newspaper Award for best Portuguese film. Comprising Competitions, New Visions, Heart Beat and From the Earth to the Moon<\/strong><\/p>\n<p><strong><em>Z\u00e9 Pedro Rock\u2019n\u2019Roll<\/em><\/strong>, Diogo Varela Silva (Portugal)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A journey around the world (of cinema) has come to an end. After screening more than 300 films in 10 days, over the city of Lisbon, Doclisboa is proud to announce the winners of its 17th edition. &nbsp; &nbsp; Doclisboa\u201919 Award Winners International Competition JURY: Billy Woodberry, Carlos Almeida, J\u00e9r\u00f4me Bel, Juliano Gomes, Leonor Silveira, <a href=\"https:\/\/www.doclisboa.org\/2019\/en\/winners-doclisboa19\/\" class=\"more-link\">&#8230;<\/a><\/p>\n","protected":false},"author":2,"featured_media":503056,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[2],"tags":[],"_links":{"self":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/posts\/503055"}],"collection":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/comments?post=503055"}],"version-history":[{"count":4,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/posts\/503055\/revisions"}],"predecessor-version":[{"id":503172,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/posts\/503055\/revisions\/503172"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/media\/503056"}],"wp:attachment":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/media?parent=503055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/categories?post=503055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/tags?post=503055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}