{"id":4829,"date":"2019-03-01T15:53:24","date_gmt":"2019-03-01T15:53:24","guid":{"rendered":"https:\/\/www.doclisboa.org\/2019\/?p=4829"},"modified":"2019-03-01T15:53:24","modified_gmt":"2019-03-01T15:53:24","slug":"amerindian-film-screening-paths-of-indigenous-cinema-in-brazil","status":"publish","type":"post","link":"https:\/\/www.doclisboa.org\/2019\/en\/amerindian-film-screening-paths-of-indigenous-cinema-in-brazil\/","title":{"rendered":"Amerindian Film Screening &#8211; Paths of Indigenous Cinema in Brazil"},"content":{"rendered":"<p>Brazil\u2019s indigenous cinematic production has contributed decisively to the emergence of new tools for indigenous knowledge and their intervention in the world. The idea for holding this film screening in Portugal arose from the interest of a group of researchers, cultural programmers and activists in developing a deeper knowledge of the contribution made to contemporary society by Amerindian cinema and thought, especially that of Brazil\u2019s indigenous peoples.<\/p>\n<p>Conceived as a collaborative venture with entities engaged in the production and dissemination of these films in Brazil, such as the Mostra Aldeia SP, the Amerindian Film Screening offers multiple experiences that lead us away from the conventional modes of seeing and understanding cinema.<\/p>\n<p>The presence of four indigenous film-makers,\u00a0Zezinho Yube, Maria Dalva Manduca Mateus Kaxinaw\u00e1 (Ayani), Patr\u00edcia Ferreira, Alberto \u00c1lvares, for the first time ever, as well as the participation of the curator and activist Ailton Krenak as well as the artist and activist Daira Tukano, contributes a unique engagement with spectators.<\/p>\n<p>The Film Screening will also include a series of dialogues and debates that serves as a further medium of knowledge transfer about Amerindian peoples, their cinema, world-views and contemporary struggles.<\/p>\n<p>&nbsp;<\/p>\n<p>Production: Calouste Gulbenkian Museum | Apordoc\/DocLisboa | CHAM | CRIA | ICS | IHA<\/p>\n<p>Curators:\u00a0Ailton Krenak, Ana Carvalho, Fred Maia, In\u00eas Beleza Barreiros, Joana Gusm\u00e3o, \u00a0Miguel Ribeiro, Pedro Cardim, Rita Nat\u00e1lio, Rodrigo Lacerda, Susana de Matos Viegas Thais Brit, Vincent Carelli<\/p>\n<p>&nbsp;<\/p>\n<p><strong>See the complete programm (in Portuguese) <a href=\"https:\/\/www.dropbox.com\/s\/e521map2xdqc09l\/Mostra_Amer%C3%ADndia.pdf?dl=0\">HERE<\/a>.\u00a0<\/strong><\/p>\n<h3><\/h3>\n<p><strong>This event takes place in the Modern Collection\u2019s Multipurpose Room between 13 and 17 March.<\/strong><\/p>\n<h4>Films<\/h4>\n<p><span lang=\"EN-GB\"><i>All the films have\u00a0Portuguese subtitles<\/i><\/span><\/p>\n<p><span lang=\"EN-GB\">1 session:\u00a0<strong>3\u20ac<\/strong><br \/>\nPass for all the sessions<\/span>:\u00a0<strong>25\u20ac<\/strong><br \/>\n<span lang=\"EN-GB\">Student pass<\/span>:\u00a0<strong>20\u20ac<\/strong><br \/>\n<span lang=\"EN-GB\">Student groups (10 or more students):\u00a0<\/span><strong>1\u20ac\u00a0<\/strong>per person<\/p>\n<h4><\/h4>\n<h4>Debates<\/h4>\n<p>Free admission subject to collection of a ticket (1 hour before the event)<\/p>\n<h4><span lang=\"EN-GB\">Children\u2019s workshop<\/span><\/h4>\n<p>Free admission subject to collection of a ticket<br \/>\nBy previous booking: projecto.educativo@apordoc.org<br \/>\nTel. +351 910 951 160<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Brazil\u2019s indigenous cinematic production has contributed decisively to the emergence of new tools for indigenous knowledge and their intervention in the world. The idea for holding this film screening in Portugal arose from the interest of a group of researchers, cultural programmers and activists in developing a deeper knowledge of the contribution made to contemporary <a href=\"https:\/\/www.doclisboa.org\/2019\/en\/amerindian-film-screening-paths-of-indigenous-cinema-in-brazil\/\" class=\"more-link\">&#8230;<\/a><\/p>\n","protected":false},"author":2,"featured_media":4756,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[2],"tags":[],"_links":{"self":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/posts\/4829"}],"collection":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/comments?post=4829"}],"version-history":[{"count":0,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/posts\/4829\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/media\/4756"}],"wp:attachment":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/media?parent=4829"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/categories?post=4829"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/tags?post=4829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}