{"id":4408,"date":"2018-10-28T17:38:37","date_gmt":"2018-10-28T17:38:37","guid":{"rendered":"https:\/\/www.doclisboa.org\/2019\/?p=4408"},"modified":"2018-11-27T17:40:08","modified_gmt":"2018-11-27T17:40:08","slug":"sight-and-dialog-at-goethe-institut","status":"publish","type":"post","link":"https:\/\/www.doclisboa.org\/2019\/en\/sight-and-dialog-at-goethe-institut\/","title":{"rendered":"Sight and Dialog at Goethe-Institut"},"content":{"rendered":"

Earlier this year, Doclisboa and Goethe-Institut Portugal<\/a>\u00a0devised a program of films to highlight the quality of Deutch cinema in its archives. And came up to a vision based on dialog, repeated once again between the\u00a031st of October and the 5th of December, every friday at 6:30pm, free admittance.<\/p>\n

31 October 6:30pm
\nThose who go those who stay<\/strong>
\nDirector: Ruth Beckermann
\n2013, 75 min.
\nA film about migration, about those who go and those who stay. Transitory images between Sicily, Vienna, Alexandria and Paris, the fabric of Europe as a continent with a History and a present of constant migration, against the idea of a continuous national history defended by the old and new right wing movements.<\/p>\n

07 November 6:30pm
\nHavarie<\/strong>
\nDirector: Philip Scheffner
\n2016, 93 min.
\nOn 14.09.2012, at 14:56, the cruise ship “Adventure of the Seas” communicated to the Spanish coastguard that it saw an immobilized boat with thirteen people on board. A YouTube video and biographical scenes create a choreography that reflects the past, present and future of travelers in the Mediterranean.<\/p>\n

14 November\u00a06:30pm
\nThe Day of the Sparrow
\n<\/strong>Director: Philip Scheffner
\n2010, 104 min.
\nIn the Netherlands, a sparrow is shot dead after dropping 23,000 dominoes. In Kabul, a German soldier is killed in a suicide bombing. This juxtaposition of headlines instigates director Philip Scheffner to cross the war with the methods of ornithology.
\n<\/span><\/p>\n

21 November\u00a06:30pm
\nWolff Von Amerongen: Did He Commit Bankruptcy Offences?
\n<\/strong>Director: Gerhard Friedl
\n2005, 73 min.
\nAn experimental reflection on German economic history: seemingly innocent images of cities, landscapes and factories. A voiceover speaks in a laconic tone about the careers and catastrophes of the great capital.<\/p>\n

28 November 6:30pm
\nThe City Below
\n<\/strong>Director: Christoph Hochh\u00e4usler
\n2010, 110 min.
\nThe fleeting encounter of a man and a woman in a vernissage.\u00a0Days later, a coincidence brings them back together, he is a manager of a bank, she is the wife of his employees.\u00a0A game of fascination begins between unequal players in the cold environment of Frankfurt’s great financial metropolis.\u00a0(Pictured.)<\/span><\/p>\n

05 December 6:30pm
\nNothing Ventured
\n<\/strong>Director: Harun Farocki
\n2004, 50 min.
\nYella
\n<\/strong>Director: Christian Petzold
\n2007, 89 min.
\nDouble bill bringing together films by Farocki and Petzold, establishing the bridge between documentary and fiction. “Nothing Ventured” follows B2B negotiations and operations. And “Yella” takes place precisely in this ghostly world of “venture capital”.<\/p>\n

 <\/p>\n

Goethe-Institut Portugal<\/strong><\/a>
\nCampo M\u00e1rtires da P\u00e1tria 37
\n1169-016 Lisbon
\nTel.: 218824 510<\/p>\n","protected":false},"excerpt":{"rendered":"

Earlier this year, Doclisboa and Goethe-Institut Portugal\u00a0devised a program of films to highlight the quality of Deutch cinema in its archives. And came up to a vision based on dialog, repeated once again between the\u00a031st of October and the 5th of December, every friday at 6:30pm, free admittance. 31 October 6:30pm Those who go those …<\/a><\/p>\n","protected":false},"author":2,"featured_media":4302,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[2],"tags":[],"_links":{"self":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/posts\/4408"}],"collection":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/comments?post=4408"}],"version-history":[{"count":0,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/posts\/4408\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/media\/4302"}],"wp:attachment":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/media?parent=4408"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/categories?post=4408"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/tags?post=4408"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}