{"id":4399,"date":"2018-11-08T12:14:59","date_gmt":"2018-11-08T12:14:59","guid":{"rendered":"https:\/\/www.doclisboa.org\/2019\/?p=4399"},"modified":"2018-11-27T12:15:31","modified_gmt":"2018-11-27T12:15:31","slug":"extensions-doclisboa-travels-to-vila-real","status":"publish","type":"post","link":"https:\/\/www.doclisboa.org\/2019\/en\/extensions-doclisboa-travels-to-vila-real\/","title":{"rendered":"Extensions: Doclisboa travels to Vila Real"},"content":{"rendered":"

Three days of cinema, between the 20th and the 22nd November, when an extension by Doclisboa gets to the auditorium at Vila Real Theatre, in an effort by this organisation with\u00a0UTAD – Universidade de Tr\u00e1s-os-Montes e Alto Douro. To show some of the films from the festival’s 15th edition:<\/span><\/p>\n

 <\/p>\n

20 November, 6:30pm<\/strong>
\n<\/span>Pesar<\/a>
\nMadalena Rebelo \/ Portugal \/ 2017 \/ 3′
\nWhile visiting the last house her parents shared as a couple, a young woman forms the imagery of a universe she never witnessed.
\nChjami \u00e8 Rispondi<\/a>
\nAxel Salvatori-Sinz \/ France \/ 2017 \/ 76′
\n\u201cTen years after my last visit, I return to Cateri, Corsican village, cradle of the Salvatori family. I want to confront my father. I propose a duel in the sun, in the form of a\u00a0chjami \u00e8 rispondi<\/em>, a Corsican joust, the outcome of which is very uncertain.\u201d Axel Salvatori-Sinz<\/p>\n

 <\/p>\n

20 Novembro, 9:30pm<\/strong>
\n<\/span>Mart\u00edrio<\/a>
\nVincent Carelli \/ Brazil \/ 2016 \/ 162′
\nThe great march to retake the sacred territories belonging to the Guarani Kaiow\u00e1, since the birth of the movement in the 1980s: the peaceful and persistent insurgency of the destitute before the mighty apparatus of the agribusiness.<\/p>\n

 <\/p>\n

21 November<\/strong><\/span><\/p>\n

6:30pm<\/strong>
\n<\/span>Oumoun<\/a>
\nFairuz Ghammam, El Mo\u00efz Ghammam \/ Belgium, Tunisia \/ 2017 \/ 15′
\n\u201cDear grandma, you\u2019ll be surprised to hear my voice in your language\u2026\u201d Those are the first words in a pre-recorded, spoken letter never sent but instead played aloud in real time by the Brussels filmmaker to her elderly grandmother in Mahdia, Tunisia.
\nO Canto do Ossob\u00f3<\/a>
\nSilas Tiny \/ Portugal \/ 2017 \/ 99′
\n\u201cRio do Ouro and \u00c1gua-Iz\u00e9 were among the largest cocoa plantations in S\u00e3o Tom\u00e9 and Pr\u00edncipe during the Portuguese colonial era. Thousands were marked by forced labour equivalent to slavery. I return to my country to find the traces of that past.\u201d Silas Tiny<\/p>\n

9:30pm<\/strong>
\n<\/span>I Don’t Belong Here<\/a>
\nPaulo Abreu \/ Portugal \/ 2017 \/ 75′
\nI don\u2019t belong here<\/em>\u00a0follows the creative process of the play by the same name based on the personal experiences of the performers themselves, who were unexpectedly deported to the Azores from the United States and Canada.<\/p>\n

 <\/p>\n

22 November
\n<\/strong>6:30pm<\/strong><\/p>\n

Norley and Norlen<\/span><\/a>
\nFl\u00e1vio Ferreira \/ Cuba, Portugal, Spain \/ 2017 \/ 8′
\nThe silent language of two brothers, physical intimacy. Difference through equality. Norley and Norlen are twins. Sometimes they fight\u2026 and sometimes they don\u2019t.
\n<\/span><\/p>\n

Why is Difficult to Make Films in Kurdistan<\/span><\/a>\u00a0(pictured)
\nEbr\u00fb Avci \/ Turkey \/ 2017 \/ 26′
\nA Kurdish girl is trying to convince her traditional family to let her study cinema while filming their daily life.
\n<\/span><\/p>\n

Lemons<\/span><\/a>
\n<\/span>Srinivas Reddy Sanikommu \/ Portugal \/ 2017 \/ 12′
\nA girl and her friend attempt to steal lemons from the church orchard. It leads to an unexpected intimate conversation about religion and personal freedom. Their conversations inspire a quest to regain her autonomy from a religious institution.
\n<\/span><\/p>\n

John 746<\/span><\/a>
\nAna V\u00eejdea \/ Romenia, Portugal, USA \/ 2017 \/ 34′
\nIn a room packed with objects of all sorts, a man passes the time painting a remake of Picasso\u2019s Guernica, giving books away and taking care of his dog Bakunin. In a final attempt to reach his audience, he comes up with a plan: the destruction of Art.
\n<\/span><\/p>\n

 <\/p>\n

22 November, 9:30pm<\/strong>
\n<\/span>Medronho Todos os Dias<\/a>
\nS\u00edlvia Coelho, Paulo Raposo \/ Portugal \/ 2017 \/ 53′
\nThe film follows Monchique\u2019s distillers who disclose their ancient know-how of harvesting and distilling the spirit made of the strawberry tree fruit. More than the process and the result, it is a meditation on the mountain range\u2019s specific length and time.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Three days of cinema, between the 20th and the 22nd November, when an extension by Doclisboa gets to the auditorium at Vila Real Theatre, in an effort by this organisation with\u00a0UTAD – Universidade de Tr\u00e1s-os-Montes e Alto Douro. To show some of the films from the festival’s 15th edition:   20 November, 6:30pm Pesar Madalena …<\/a><\/p>\n","protected":false},"author":2,"featured_media":4343,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[2],"tags":[],"_links":{"self":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/posts\/4399"}],"collection":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/comments?post=4399"}],"version-history":[{"count":0,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/posts\/4399\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/media\/4343"}],"wp:attachment":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/media?parent=4399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/categories?post=4399"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/tags?post=4399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}