{"id":20262,"date":"2019-09-24T14:46:13","date_gmt":"2019-09-24T14:46:13","guid":{"rendered":"https:\/\/www.doclisboa.org\/2019\/?page_id=20262"},"modified":"2019-09-24T15:09:42","modified_gmt":"2019-09-24T15:09:42","slug":"invited-director-ghassan-salhab","status":"publish","type":"page","link":"https:\/\/www.doclisboa.org\/2019\/en\/current-edition\/sections\/new-visions\/invited-director-ghassan-salhab\/","title":{"rendered":"Invited Director Ghassan Salhab"},"content":{"rendered":"<p>Marked by war and exile, Ghassan Salhab came up with a cinema that looks for ways of experiencing, picturing the possibility of a community of communication and sharing. We present two of his latest films: Lebanon\u2019s recent history<br \/>\nsummons spiritual companions, the gestures of the revolution and their frailty. \u201cFor me, revolution is a way of living this world differently.\u201d The director added Tango of Yearning, by Mohamed Soueid, to the programme.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marked by war and exile, Ghassan Salhab came up with a cinema that looks for ways of experiencing, picturing the possibility of a community of communication and sharing. We present two of his latest films: Lebanon\u2019s recent history summons spiritual companions, the gestures of the revolution and their frailty. \u201cFor me, revolution is a way <a href=\"https:\/\/www.doclisboa.org\/2019\/en\/current-edition\/sections\/new-visions\/invited-director-ghassan-salhab\/\" class=\"more-link\">&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":145,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"page-seccao-sessoes.php","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/pages\/20262"}],"collection":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/comments?post=20262"}],"version-history":[{"count":0,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/pages\/20262\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/pages\/145"}],"wp:attachment":[{"href":"https:\/\/www.doclisboa.org\/2019\/en\/wp-json\/wp\/v2\/media?parent=20262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}