Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
Teenage imagination. Skate as a liberating drive, rebelliousness against street standardisation, and the dreams and concerns of a group of youngsters. Between interviews and scenes from the dreams of each one of them, Wow is without condescension or empty poetisation.
1966 • Canada • 95'
The Devil’s Toy
1966 • Canada • 16'