Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
The continuity of living and filmmaking. McLaren’s Negatives is based on the filmmaker’s sound archives. Following Catherine is Crépeau’s journey to Paris to join her partner. A mirror-like place, a film made as the days went by.
2007 • Canada • 94'
Les négatifs de McLaren
2006 • Canada • 10'