Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
Portuguese Competition
Portuguese produced and/or directed films, with no limitations in terms of format or length. This section presents an overview of the diversity of visions, practices and languages within contemporary Portuguese cinema, through a rigorous, open and attentive selection of films. Films produced after September 1st 2016, largely screening as world premieres.
À Tarde
Afternoon
Pedro Florêncio
2017 • Portugal • 57’
António e Catarina
António and Catarina
Cristina Hanes
2017 • Portugal • 40’
BARULHO, ECLIPSE
UPROAR, ECLIPSE
Ico Costa
2017 • Portugal • 68’
Diário das Beiras
Diary of Beiras
Anabela Moreira, João Canijo
2017 • Portugal • 133’
Dom Fradique
Nathalie Mansoux
2017 • Portugal, France • 40’
Espadim
Diogo Pereira
2017 • Portugal, Bosnia and Herzegovina • 62’
Foretes
Margaux Dauby
2017 • Belgium, Portugal • 12’
I don’t belong here
Paulo Abreu
2017 • Portugal • 75’
Notas de Campo
Field Notes
Catarina Botelho
2017 • Portugal • 47’
O Canto do Ossobó
The Song of Ossobó
Silas Tiny
2017 • Portugal • 99’
Vira Chudnenko
Inês Oliveira
2017 • Portugal • 31’
