Chytilová’s sole foray into teenage horror with a dash of sci-fi. A group of adolescents go on a ski trip to the mountains, supervised by strange instructors. A peculiar cross between a genre movie, a moral tale, and a political allegory.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.