Film-essay on a critical issue: the notion of belonging to a country. The action unfolds in the context of a nation in search for itself – French Canadians – and other people without a country: the Indians from Quebec, the Bretons from France. What is Quebec?
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.