Two strangers drive veterinarian Lenka to the woods and rape her there, a crime she avenges later on thanks to her professional expertise in pig castration. Traps is Chytilová at her meanest and most controversial, sneering at men and women alike.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.