Too Much is Enough gives voice to one of the most remarkable filmmakers from Quebec, Gilles Groulx. Images of Brouillette and Groulx meeting (1989-94) are put together with his films and pictures, as well as with archive footage.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.