Luís Henrique Jorge is 80 and lives alone. He lived most of his life in Latin America, served time twice and says he doesn’t believe in God. He focuses his problems in his last relationship, his neighbours and a religious crisis he drowns in wine daily.
Screened with: Pesar | Garden Beautiful | Pulmões | O Descanso na Intensidade das Cores
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
