Ester Krumbachová was Chytilová’s collaborator on her most celebrated projects such as Daisies, Fruit of Paradise, and The Very Late Afternoon of a Faun, and a one-time director. The heart and soul of the Czech New Wave, Krumbachová always inspired those around her.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.