I don’t belong here follows the creative process of the play by the same name based on the personal experiences of the performers themselves, who were unexpectedly deported to the Azores from the United States and Canada.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
