Sambade, Trás-os-Montes. Before her father passed away, Maria dos Anjos promised him she would keep the house and rebuild it. Ten years later, she goes to the house one last time before the rebuilding, to say goodbye and prepare for the construction works.
Screened with: Caderno de Viagem | Medronho Todos os Dias
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
