The film depicts João Catarino’s relation with graphic journals. His notebooks are part of this artist’s daily life. He uses them to take some moments from the routine and turn idle times into an opportunity for contemplation.
Screened with: Casa na Serra | Medronho Todos os Dias
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
