The film accompanies four aspiring actors whose vita, mentality and social conduct are very different, but who share the same passion for drama, observing their academic training in Berlin as well as their first professional work experiences.
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
