Peoples’ stories and the reinvention of myths determine community representations, from the Papal Zouaves defending the territories threatened by Victor Emmanuel in 1867 to the portrait of three young natives looking to retrieve a place in society.
Screened with: Avec tambours et trompettes
Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary.
Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
