Doclisboa wants to question the present of film, bringing along its history and assuming cinema as a mode of freedom. By refusing the categorization of film practice, it searches for the new problematics that cinematic image implies, in its multiple ways of engagement with the contemporary. Doclisboa tries to be a place to imagine reality through new modes of perception, reflection, and possible new forms of action.
LUIS OSPINA: FULL RETROSPECTIVE OF A PUNK-CINEPHILE
SAILING THE EUPHRATES AND ITS CINEMA
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WATCHING, THINKING AND PROGRAMMING FILMS
DOC AT LARGO: TO BELONG OR NOT TO BELONG, THAT IS THE QUESTION