{"version":"1.0","provider_name":"Doclisboa 2017","provider_url":"http:\/\/www.doclisboa.org\/2017","author_name":"Comunica\u00e7\u00e3o","author_url":"http:\/\/www.doclisboa.org\/2017\/author\/comunicacao\/","title":"Nostalgia over lost causes: reflections on Venezuela - Doclisboa 2017","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"tEXpkXwHzb\"><a href=\"http:\/\/www.doclisboa.org\/2017\/en\/sub-seccoes\/nostalgia-over-lost-causes-reflections-on-venezuela\/\">Nostalgia over lost causes: reflections on Venezuela<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"http:\/\/www.doclisboa.org\/2017\/en\/sub-seccoes\/nostalgia-over-lost-causes-reflections-on-venezuela\/embed\/#?secret=tEXpkXwHzb\" width=\"600\" height=\"338\" title=\"&#8220;Nostalgia over lost causes: reflections on Venezuela&#8221; &#8212; Doclisboa 2017\" data-secret=\"tEXpkXwHzb\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=http:\/\/www.doclisboa.org\/2017\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.doclisboa.org\/2017\/wp-content\/uploads\/2017\/09\/Andre\u0301s-Duque-1.jpg","thumbnail_width":1200,"thumbnail_height":670,"description":"Based on his trilogy on memory, filmmaker Andr\u00e9s Duque discusses some of the problems of his country of origin, Venezuela, \u201cwhere corruption and capitalism perpetuate themselves under the cover of socialist ideals\u201d. In his films, there are bodies dancing and the hope for utopia. Andr\u00e9s Duque is a Spanish filmmaker who was born in Caracas, [&hellip;]"}