{"version":"1.0","provider_name":"Doclisboa 2017","provider_url":"http:\/\/www.doclisboa.org\/2017","author_name":"Comunica\u00e7\u00e3o","author_url":"http:\/\/www.doclisboa.org\/2017\/author\/comunicacao\/","title":"Tell Me when You die - Doclisboa 2017","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"FyEWvQ9qJl\"><a href=\"http:\/\/www.doclisboa.org\/2017\/en\/filmes\/tell-me-when-you-die-2\/\">Tell Me when You die<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"http:\/\/www.doclisboa.org\/2017\/en\/filmes\/tell-me-when-you-die-2\/embed\/#?secret=FyEWvQ9qJl\" width=\"600\" height=\"338\" title=\"&#8220;Tell Me when You die&#8221; &#8212; Doclisboa 2017\" data-secret=\"FyEWvQ9qJl\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=http:\/\/www.doclisboa.org\/2017\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.doclisboa.org\/2017\/wp-content\/uploads\/2017\/09\/tell-me-when-you-die.jpg","thumbnail_width":1280,"thumbnail_height":723,"description":"In Tell Me when You die and Borderhole the directors make use of their bodies and their loving relationship to test how geopolitical mechanisms control their movements. Resorting to video and post-porn performance they compose anti-frontier manifests. The Genre follows the rehearsals for a theatre play by an independent company in the Soviet Union, in [&hellip;]"}